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(Vocal/instrumental group, 1999–present) Formed by school friends Jeff Stinco (guitar), Chuck Corneau (drums) and Pierre Bouvier (vocals) after the demise of their Reset project in Quebec, Simple Plan trade in a similar brand of punk to fellow countrymen Sum 41. Ever at loggerheads with their critics on charges of immaturity or ‘selling out’, the band referenced this in the ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

1900–90 American composer Born in Brooklyn of Russian Jewish parents (his surname is an immigration officer’s mishearing of the family name, Kaplan), Copland became the archetypal composer of the American West, his style much imitated by the writers of Hollywood film scores. Trained in Paris by Nadia Boulanger, he was strongly influenced by Stravinsky and began using jazz ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Vocal/instrumental group, 1965–72, 1989, 1996) When the ‘classic’ line-up of Marty Balin (vocals), Grace Slick (vocals), Paul Kantner (guitar, vocals), Jorma Kaukonen (guitar, vocals) and Skip Spence (drums) found each other, a merger of an oblique form of folk rock with psychedelia ensured acceptance by their native San Francisco’s hippy community. They produced 1967 hit ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1977–present) Formerly known as Johnny and The Self-Abusers, Glaswegians Jim Kerr (vocals), Charlie Burchill (guitar), Derek Forbes (bass), Mick McNeil (keyboards) and Brian McGee (drums) took on board the experimentations of Krautrock and Brian Eno for their second album Real To Real Cacophony (1979). They gently sloughed off their weirder tendencies over their next two albums, ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1994–present) Formed by Jón Pór (Jónsi) Birgisson (vocals), Georg Hólm (bass) and Ágúst Ævar Gunnarsson (drums) in Reykjavik, the Icelanders’ wholly unique sound, perhaps most successfully achieved on third album Ágætis Byrjun (1999), is a lulling, lurching blend of classical music and ambient, of rock with something from far outside the genres’ confines. Orri ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The very name, ‘Classical Era’, speaks for itself: it proclaims a period that is regarded as ‘Standard, first-class, of allowed excellence’, with manifestations that are ‘simple, harmonious, proportioned, finished’, to quote a dictionary definition. The period from 1750 to roughly 1820 is widely recognized as one of exceptional achievement in music – it is the ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Among the earliest humanist projects was the recovery and study of classical architecture. Many buildings from the Roman period still stood (some stand today); others were in ruins from which the originals could just be discerned. Study of these remains with reference to recently recovered classical architectural treatises led to a new school of architecture. The leader of this school was ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The ground-breaking literature of the twentieth century had a major impact on composers, particularly in the 1950s and 60s. The work of Berio has consistently drawn upon the works of James Joyce for parallels between verbal and musical technique, particularly ‘stream of consciousness’ chapters such as Molly Bloom’s soliloquy from Ulysses, while Barraqué based his entire later output ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The government-enforced isolation of Native Americans in the United States has fostered cultural independence, in contrast to the marked musical acculturation between the Hispanic-speaking and Amerindian societies in South America. But in modern times, North American groups have tended to set aside tribal differences and seek a pan-tribal cultural unity. The ‘Ghost Dance’, a religious cult led by Jack ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The city of St Petersburg was founded in 1703 by Peter the Great as his ‘window on the West’ – part of his plan to connect backward Russia to the modern world. A court theatre was included as part of Peter’s modernizing policy, but plays were being performed there for more than 30 years before the first opera was staged. ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Du Fay’s Mass L’homme armé was one of the first of several dozen Masses of that name composed between the years 1450 and 1700. ‘L’homme armé’ (‘The Armed Man’) was a popular, probably satirical, tune which may have been aimed at the less-valiant members of the French army during the last stages of the Hundred Years’ War. Attracted by ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Sonata form was the most important principle of musical structure during the classical period, and has remained so up to the present day. It applies most often to a single movement, part of a sonata, symphony or quartet, but an independent movement, such as an overture, may also be in sonata form. Its principles affect ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The bagpipe principle is simple: instead of the player blowing directly on a reed pipe, the air is supplied from a reservoir, usually made of animal skin, which is inflated either by mouth or by bellows. The result is the ability to produce a continuous tone, and the possibility of adding extra reed-pipes to enable a single ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Bugle Best known in its military guise, the bugle is one of the simplest of brass instruments in terms of construction, but it is very difficult to play. The single tube of metal has no valves to help create different notes, so players have to do all the work by changing their embouchure – a combination of the ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Unusually among musical instruments, a specific date has been posited for the invention of the clarinet. Johann Christoph Denner of Nuremberg has been claimed as the man who, in 1700, devised and built the first of these instruments. Like all the best stories, however, the history of the clarinet is shrouded in mystery. The instrument attributed ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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